The Majestic fountain pen & rollerball
A capped, full-size or junior pen with a jewelled clip and an iridium-tipped nib: the classic statement piece.
- 22kt gold / chrome
- gun metal / chrome

Collection I · Writing Instruments
Fountain pens, rollerballs and ballpoints turned from burl, cactus skeleton, blackwood and hand-poured resin.
The collection
A pen is the one object most people touch every day and almost never think about. These are made to be thought about: balanced in the hand, turned from material with a past, and finished so the grain or the pour is the first thing anyone notices.

From the studio
Each of these exists once. Open any piece for its story, then commission one in its spirit.

Fire meets ash: the resin was poured to flow into the burl's grain like lava into a cooling field.

The burl sits like a shoreline in a violet sea; turn it in the hand and the tide moves.

Cholla is the skeleton a desert cactus leaves behind. Each opening is filled by hand, so no two lattices ever match.

Three pieces cut from the same story: the colour of a kingfisher's wing set against the burl it perches on.

A whole pinecone, sliced and suspended in colour, so its spiral is still the first thing you notice.

Weather caught mid-turn. The swirl is poured, then revealed one pass of the tool at a time.

The most formal piece in the room: black wood, gold scrollwork and a single red stone.

One burl, three temperaments. A set made to be split between siblings or kept together.

A dragon wraps the cap and its scales finish the tip; the pendant is turned from the same blank.

All wood, no resin. The dark lines are spalting, the forest's own ink.

A pair for two people who sign things together.

Dark at a glance; under a lamp the gold in the resin wakes up.

A quiet black barrel until the light finds the flame at its foot.

Cloud and stone, banded in gold.

The green of old copper roofs, worked to a glass finish.

A storm front in violet and white rolling over a burl horizon.

A burl the colour of an old garnet ring.

Soft greys that shift like mother of pearl when it turns.

Veined like Carrara, warm in the hand like wood.

Green fire under a jewelled crown.

Burl dyed to the blue of a Gulf morning.

Shallow water over sand, capped in black.

Understated and heavy in the best way.

An everyday pen with an evening colour.

For the hunter or the collector: a pen that works like a rifle bolt, cased like one too.

A family of four: the same burl-into-colour idea, each in its own season.

Lichen on granite, in a pen.

Red, white and blue, poured rather than painted.

For the friend who lives on the courts.

The desk companion to any pen in the gallery.
What can be made
Every piece starts from a refined mechanism or from nothing at all. Choose a starting point here, then the wood, the resin and the finish with William. Every option below is something he can make for you.
A capped, full-size or junior pen with a jewelled clip and an iridium-tipped nib: the classic statement piece.
Ornate, sceptre-like fittings in the Art Nouveau manner, for the most formal desk.
Fountain pens and rollerballs in the timeless flat-top and cigar silhouettes.
Refined English-made fittings in rhodium and brushed gold, for the serious writer.
A junior-size capped rollerball that can be fitted with a two-tone German nib to become a fountain pen.
A refined junior rollerball with hand-cast cap inserts, postable or not.
A rollerball crowned by a deeply carved, plated cap.
Rollerball with solid sterling silver fittings that patinate with the years.
Unplated stainless, brass or aluminium fittings that never flake and age honestly.
Barrel, cap, section and threads all cut on the lathe from one material; only the nib is sourced. The most involved pen in the gallery.
A fully custom pen around a German JoWo #6 nib, with cap threads cut by hand.
The everyday pen, slim or mid-size, with a smooth twist mechanism.
A satisfying click mechanism that takes standard long-life refills.
A 0.7mm click pencil, or a lead holder for the artist and woodworker.
A ballpoint with a touch-screen tip for the desk that is half paper, half glass.
The desk companion to any pen, with a turned handle and steel blade.
A stand, case or box, ideally turned from the same timber as the pen.
Tiers describe the depth of the work: Core pieces are built around a refined mechanism, High pieces use premium hardware and rarer materials, Apex pieces are made almost entirely on the lathe. Final options are confirmed with William.
Materials
Five levels of material, from figured domestic burl to meteorite. Every tier is chosen with you; legality and sourcing are checked before a single blank is cut.
Maple burl · Buckeye burl · Black walnut · Spalted maple
Warm, figured and full of character.
Ebony · Ziricote · Bocote · Amboyna burl
Dense, rare grain from around the world, sourced legally.
Stabilized burl · Cholla cactus · Pinecone · Hand-poured resin
Burl and resin cast together, then turned to reveal both.
Meteorite inlay · Ancient kauri · Mokume-gane
The rarest work in the gallery.
Wood from a family home · A fallen tree · A piece of old furniture
The most meaningful material is often already yours.
Questions
Yes. Fountain pens can be fitted with a range of nib widths, and most designs come in several platings, from chrome and black titanium to gold tones. The concierge or William will walk you through what suits the way you write.
Most turned pens are built around a manufactured mechanism. A kitless pen has its cap, threads and section made on the lathe from the same material, with only the nib unit sourced. It is the most involved work in the collection.
Often, yes. Timber from a family home, a fallen tree or a piece of furniture can be stabilized and turned. Send a photo and William will tell you honestly what the wood will allow.
Ask about it in your brief. Engraving, a matching case or a set with a letter opener can all be part of a commission.
The design concierge
Talk with the DeVito Gallery concierge, an AI that speaks in William's own voice. It asks the questions he would ask, then hands him your brief.
You will see what it can and cannot do before the microphone turns on. Conversations are recorded so William can follow up.
Commissions
Tell William who it is for, what they love, and what you have in mind. He reads every brief himself and replies personally.
Prefer to talk it through?